Flatland
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Excerpts from Flatland: A romance of many dimensions, With Illustrations by the Author, A SQUARE
by Edwin A. Abbott (1838-1926)
, 1880
Contributed by Ron Nicol and Reinhard Schmidt
Adopting a different perspective can be extremely difficult - sometimes, the picture of reality is so engrained that it is impossible even to conceive of an alternate point of view
Interpretation depends on the frame of reference - our judgments about truth, logic, and sanity depend upon the context formed by our accepted vision of reality
Keywords: Space, shape, allegory, perspective, imagination, geometry, point of view, dimensions
Related links:
Link to full text of the novel
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Concerning Irregular Figures
THROUGHOUT THE previous pages I have been assuming - what perhaps should have been laid down at the beginning as a distinct and fundamental proposition - that every human being in Flatland is a Regular Figure, that is to say of regular construction. By this I mean that a Woman must not only be a line, but a straight line; that an Artisan or Soldier must have two of his sides equal; that Tradesmen must have three sides equal; Lawyers (of which class I am a humble member), four sides equal, and, generally, that in every Polygon, all the sides must be equal.
The size of the sides would of course depend upon the age of the individual. A Female at birth would be about an inch long, while a tall adult Woman might extend to a foot. As to the Males of every class, it may be roughly said that the length of an adult's sides, when added together, is two feet or a little more. But the size of our sides is not under consideration. I am speaking of the equality of sides, and it does not need much reflection to see that the whole of the social life in Flatland rests upon the fundamental fact that Nature wills all Figures to have their sides equal.
If our sides were unequal our angles might be unequal. Instead of its being sufficient to feel, or estimate by sight, a single angle in order to determine the form of an individual, it would be necessary to ascertain each angle by the experiment of Feeling. But life would be too short for such a tedious grouping. The whole science and art of Sight Recognition would at once perish; Feeling, so far as it is an art, would not long survive; intercourse would become perilous or impossible; there would be an end to all confidence, all forethought; no one would be safe in making the most simple social arrangements; in a word, civilization would relapse into barbarism…
Expediency therefore concurs with Nature in stamping the seal of its approval upon Regularity of conformation: nor has the Law been backward in seconding their efforts. "Irregularity of Figure" means with us the same as, or more than, a combination of moral obliquity and criminality with you, and is treated accordingly. There are not wanting, it is true, some promulgators of paradoxes who maintain that there is no necessary connection between geometrical and moral Irregularity. "The Irregular," they say, "is from his birth scouted by his own parents, derided by his brothers and sisters, neglected by the domestics, scorned and suspected by society, and excluded from all posts of responsibility, trust, and useful activity. His every movement is jealously watched by the police till he comes of age and presents himself for inspection; then he is either destroyed, if he is found to exceed the fixed margin of deviation, or else immured in a Government Office as a clerk of the seventh class; prevented from marriage; forced to drudge at an uninteresting occupation for a miserable stipend; obliged to live and board at the office, and to take even his vacation under close supervision; what wonder that human nature, even in the best and purest, is embittered and perverted by such surroundings!"
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[The narrator is visited by a mysterious stranger from Spaceland]
You are living on a Plane [the Stranger said]. What you style Flatland is the vast level surface of what I may call a fluid, on, or in, the top of which you and your countrymen move about, without rising above it or falling below it.
I am not a plane Figure, but a Solid. You call me a Circle; but in reality I am not a Circle, but an infinite number of Circles, of size varying from a Point to a Circle of thirteen inches in diameter, one placed on the top of the other. When I cut through your plane as I am now doing, I make in your plane a section which you, very rightly, call a Circle. For even a Sphere - which is my proper name in my own country - if he manifest himself at all to an inhabitant of Flatland - must needs manifest himself as a Circle…
… [Y]our country of Two Dimensions is not spacious enough to represent me, a being of Three, but can only exhibit a slice or section of me, which is what you call a Circle.
The diminished brightness of your eye indicates incredulity. But now prepare to receive proof positive of the truth of my assertions. You cannot indeed see more than one of my sections, or Circles, at a time; for you have no power to raise your eye out of the plane of Flatland; but you can at least see that, as I rise in Space, so my sections become smaller. See now, I will rise; and the effect upon your eye will be that my Circle will become smaller and smaller till it dwindles to a point and finally vanishes.
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There was no "rising" that I could see; but he diminished and finally vanished. I winked once or twice to make sure that I was not dreaming. But it was no dream. For from the depths of nowhere came forth a hollow voice - close to my heart it seemed - "Am I quite gone? Are you convinced now? Well, now I will gradually return to Flatland and you shall see my section become larger and larger."
Every reader in Spaceland will easily understand that my mysterious Guest was speaking the language of truth and even of simplicity. But to me, proficient though I was in Flatland Mathematics, it was by no means a simple matter…
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